Doctor Who vs Sherlock: FIGHT!

It's BAFTA time again, the day in the year where Jimmy McGovern clears a spot on his shelf for yet another gong while fans of cult shows bemoan the lack of awards glory for their favourites. But last year the mold was broken when Misfits walked away with the Best Drama Series trophy. I think that might just be the first time a British sci-fi show has actually won our highest TV honour, and it has increased my interest in the BAFTAs. If Misfits can win, anyone can. The Best Drama Series category is chock-full of my favourite shows: Sherlock, Misfits, Being Human and Downton Abbey. (I'd like to see Being Human pick it up for a brilliant third series and in honour of it's wonderful first series, for which it wasn't even nominated. But I think this one will be between Downton and Sherlock. Any would be a deserving winner though.) I'll also be interested to see if Robert Sheehan and Lauren Socha stand any chance in their acting categories (what clips of them will they be able to show at 8pm? Nathan trying to lick his own balls?) but I was sad to see Russel Tovey miss out on a nod, again.

But the category everyone is excited about in Best Actor. Mainly because Doctor Who and Sherlock are going head to head, with both Matt Smith and Benedict Cumberbatch nominated alongside Jim Broadbent and Daniel Rigby. But we don't care about them. This is the Doctor versus Sherlock Holmes, people! It's a Christmas special dream! Let's take a look at the contestants:

Matt Smith - The Doctor

Believe it or not, this is the first time a Doctor Who actor has been nominated for the role. Does that mean that Matt Smith is better in the role than Christopher Eccleston and David Tennant were, or just that BAFTA are now finally acknowledging that sci-fi acting is still acting?

Frankly, he's brilliant in the role. (Whether he's better than the others is a discussion for another blog). His is a completely bonkers performance. He somehow embodies childish exuberance and ancient weariness at the same time and never reads a line quite how you'd expect him to. He is a sheer force of nature and finally proved that he can do the serious stuff as well as the comedy with his heartbreaking performance in The Doctor's Wife, looking utterly bereft as he says "hello" to his TARDIS for the first and last time.

But will voters be able to see past the fact that this is essentially a children's programme? Smith's performance could be a bit too off the wall for some tastes and the fact that he doesn't have a huge body of work behind him to show his range could dent his chances. Plus, some people could say that based on interviews he's pretty much just playing himself. So far his performance in series six is even stronger than last year, so maybe he deserves to win it next year instead.

Benedict Cumberbatch - Sherlock Holmes

I'm rewatching Sherlock at the moment and remembering just how bloody brilliant Benedict Cumberbatch is in the role. Magnetic, commanding, intelligent - like Matt Smith, you can't take your eyes off him. It's not until a second viewing that you realise how good Martin Freeman is too in the less flashy role of Watson. Cumberbatch makes a character with very few likeable traits absolutely loveable and has surprisingly good comic timing.

He also has the advantage of being a two-time BAFTA nominee. He's got the CV to back up his nomination and prove his (very impressive) range and with his strange, angular face he's the poster boy for a new generation of great British character actors.

Putting him at a slight disadvantage is that Sherlock was on TV almost a year ago and he might not be fresh in voters' minds, whereas Matt Smith is galavanting in front of them every Saturday night. Also, his performance in Sherlock is inseperable from Martin Freeman's. The show and the performances are utterly dependent on the chemistry between the two of them. It would be hard to honour one performance and not the other.

If it was up to me and a gun was at my head I'd give the trophy to Cumberbatch. But only if I could give it to Smith next year, soley for The Doctor's Wife. Of course, after all this speculation the award will almost certainly go to Jim Broadbent, because who doesn't love Jim Broadbent?

Either way, there's going to be a man in that hall tonight who wins no matter how it all turns out:

Steven Moffat: The Man of 2010. Congratulations!

May Contain Some Mild Peril

I watched Thor last week and thoroughly enjoyed it, and not only because Chris Hemsworth got his kit off. It trod the fine line between tipping a hat to the inherant silliness of the concept and treating the story like a Shakespearean epic, and as such avoided both poe-faced seriousness and OTT campery.

It's also notable for being just about the only superhero film I've seen in which the heroine/love interest doesn't get imperilled. Not even once. Never does Thor think that maybe he should keep his superheroics secret from Natalie Portman's Jane Foster just in case a villain dangles her off a roof. The character poster for Jane says it all, really:

She's not a love interest, she's a scientist. Thor is something of a superhero oddity. Not only does the lead female actually have better things to do than moon after the hero (although she's not adverse to the odd ogle - and frankly who can blame her), but the film also boasts a warrior woman in the shape of Jaimie Alexander's Sif and the brilliant Kat Dennings just about stealing the film as taser-happy Darcy.

Let's hope that this is a sign of things to come because, let's face it, superhero love interests haven't had much success in the book-to-screen transition. Mary-Jane Watson, a fiesty, tough gal in the comics, was reduced to screaming and delivering nonsensical lines in the films (were you 'always standing in his doorway' when you were shagging his best mate?). Elektra was relegated from Daredevil's conflicted, fascinating foe/lover to a grieving daughter with a love of emo rock. Batman's lovers are so bland on screen that I can never remember which was which (Nicole Kidman was Vicki Vale, right?) and Michelle Pfeiffer's Catwoman is more iconic for her costume than for her performance (which was enjoyable enough, but not in any way representative of the intelligent, crusading, morally flexible heroine of the comics).

And then there's Halle Berry, out in a league of her own, managing to ruin both Marvel and DC heroines with her turns as Storm in the X-Men franchise and Catwoman. (I'll never forgive her for her delivery of the infamous "do you know what happens to a toad when it's struck by lightning?" line. Joss Whedon wrote it as a flippant aside. She delivered it like a freakin' revelation.)

But they're not all bad. So here's a run down of my favourite female comic book characters on screen.

Lois Lane - Superman

The original and possibly the best superhero love interest. Margot Kidder's Lois was a shameless throwback to the sort of screwball lady reporters made famous by the likes of Rosalind Russell. Scatty at times, so caught up in her latest story that real life falls by the wayside, annoyed at herself for being so besotted with Superman. Crucially, she's also allowed to figure out for herself that Clark Kent is Superman (even if he does eventually come clean by choice).

By comparison, Kate Bosworth's Lois in Superman Returns is just about the worst screen love interest ever. I expect great things, however, from Amy Adams in Zac Snyder's forthcoming Superman: Man of Steel. She's a woman who, even when playing Disney Princess levels of naivety, is still incapable of seeming unintelligent.

Jean Grey and Rogue - X-Men

Okay, so neither of these characters are flawless in their film transitions. Rogue was a walking victim in the original film and both were served terribly in Brett Ratner's deservedly-maligned X-Men 3: The Last Stand. Jean Grey became a psycho with little to no emotional conflict and Ratner completely abandoned the 'accept your differences' theme in favour of Rogue giving up her powers without even getting her flight and super-strength abilities.

But in X2, at least, these two are brilliant. Famke Janssen breaks your heart as the self-sacrificing Jean, fearing the power inside her while still owning it. Anna Paquin, meanwhile, is so good as the growing-in-confidence Rogue that it's a travesty we never got to see her as the powerful superheroine she is in the comics. Although, admittedly, this might be a case of actors outstripping the on-paper limitations of the film characters. In fact, the X-Men films have a long history of missing opportunities with their female characters. Ellen Page was perfect casting for Kitty Pryde and they still cocked it up.

Liz - Hellboy

Selma Blair's downplayed Liz is by no means the most eye-catching aspect of Hellboy. After all, she has fish men and a career-best Ron Perlman to contend with. But she's a perfectly judged character, the level-headed partner to the impetuous Hellboy, slowly coming to terms with a power that, like Rogue's, has left her untouchable. But unlike Rogue, she gets over it. Yes, she gets imperilled quite a bit in the first film, and even gets resurrected by the Magical Kiss of Love, but in Hellboy 2: The Golden Army she is wall-to-wall awesome, and returns the favour by saving Big Red's life.

Hit Girl - Kick-Ass

Yes, an 11 year old girl is one of the best ever on-screen female comic book characters. Chloe Moritz imbues her with just the right amount of childishness to undercut the OTT bad assery of the character and manages to turn it back around just as we're on the verge of forgetting that she is, in fact, 11 years old. Maybe it's horribly inappropriate to see a child lopping off limbs and spouting profanities, but the knowing performance of Moritz keeps it just the right side of wrong.

This year sees a new spate of comic book adaptations and it's looking good for the female characters. X-Men: First Class is debuting one of the comic's best female characters, Emma Frost - although the lack of dialogue from her in the trailers may not bode well. The hugely talented Hayley Atwell is on love interest duty in Captain America, all pistols and red lipstick. She looks like she's having a whale of a time. Blake Lively, on the other hand, doesn't fill me with optimism in her role as Green Lantern's Carol Ferris, but Angela Bassett should be good value as Amanda Waller (one of my favourite DC characters). Looking ahead to The Dark Knight Rises, the prospect of Anne Hathaway as Selina Kyle and Marion Cotillard as Miranda Tate (cough Talia Al Ghul cough) is very exciting.

So, things are picking up. Now let's just hope someone one day figures out how to do Wonder Woman.